3 International Film Festival Bangladesh
Cinema for everyone
Amidst much anticipation, 3rd International Film Festival Bangladesh
began yesterday. Prime Minister Begum Khaleda Zia inaugurated the 16-day-long
festival at the National Theatre Stage, Shilpakala Academy.
This year about 111 films from 60 countries will be screened. Over
50 filmmakers, activists and other dignitaries are participating in
the festival organised by Bangladesh Federation of Film Societies this
year.
Besides screening films in different categories such as 'International
Contest', 'International Showcase', 'Focus of the Festival', 'Retrospective',
'Celebrating 50 Years of Bangladeshi Cinema', 'Tribute', 'Bangla Showcase'
and others seminars on different aspects of cinema will be held during
the festival.
On March 6, a seminar titled "Bangladeshi Films: Aesthetic Achievements
in 50 Years" will be held at the Sufia Kamal Auditorium, National
Museum. Noted film exponent Anupam Hayat will read the keynote paper
at the seminar. On March 8 and 9, two seminars titled "Reviewing
Films from the Perspective of globalisation" and "International
Market of Asian Films" respectively will be held at the same venue.
Films that have generated interest among movie enthusiasts worldwide
for a number of reasons -- becoming cash cows, igniting political debate
or featuring controversial issues, zooming in on major global events,
showcasing superior aesthetic skills and more -- are the attractions
at the festival.
'Celebrating 50 Years of Bangladeshi Cinema' will begin with a screening
of Shutorang by Subhash Dutta. The film launched Kabori as a film actress
in 1964. Other films to be screened in the section are Titash Ekti Nodir
Naam, Jibon Thekey Neowa, Shurjodighal Bari, Dhirey Bohey Meghna and
others. Hotel Rwanda, a riveting film based on a true story, taking
place during the Rwandan genocide in 1994 will be screened in the 'International
Showcase' category.
The movie that won the most number of Filmfare Awards this year, Black,
will be screened in the 'Bollywood Meets Dhallywood' section. Bangladeshi
films Bideshini, Hajaar Bochhor Dhorey, Matritwa, Nandito Norok-e and
movies from West Bengal Amu, Faltu, Kantataar and Tok Jhaal Mishti will
be screened in the 'Bangla Showcase' section.
The Films will be screened at venues in Dhaka, Savar and Narayanganj
including Central Public Library Auditorium, National Museum Auditorium,
Shishu Academy Auditorium, Star Cineplex, Balaka, Madhumita, Rajmoni
and other movie theatres. The festival will be inaugurated at Chittagong
on March 10.
The festival is being jointly organised by Bangladesh Motion Picture
Exhibitors Association, Bangladesh Film Producers Distributors Association,
Bangladesh Film Directors Association, Bangladesh Cinematographers Society
and Bangladesh Film Artistes Association. International Federation of
Film Societies is also an associate organiser.
Source: The daily Star: march 2, 2006
Celebrating 50 years of Bangladeshi films Nine-day
long film screening begins To celebrate
50 years of Bangladeshi filmdom, Dhaka University Chalachitra Sangsad
has organized a film screening session starting from yesterday.
All time hit Bangla films of the last 50 years are to be screened at
the nine- day long celebration. Each day four movies will be screened
at the TSC Auditorium.
Source: The Daily Star: February 12, 2006 Taher Shipon’s TV play to be aired this Eid
Thailand is a popular destination for TV plays. Popular TV play director
Taher Shipon has recently made a drama serial and a single-episode play
in Bangkok. The former, playwright Anisa Taher's work, Anubhabe is a
26-episode drama serial. The latter, Darojar Opashey is scripted by
Anisul Haque.
BTV will air Anubhabe from February while single episode play Darojar
Opashey will be aired on BTV to dovetail with Eid.
About the drama serial, Taher Shipon comments, "Anisa Taher in
her drama serial, Anubhabe, has featured the lifestyle of the Bangalees
living in Thailand. That is why we had to shoot the play in Thailand."
"Depicting the conflict between two hotel-businessmen in Thailand,
Anubhabe shows the potential and problems of the Bangalees involved
with tourism in Bangkok", adds Taher.
Raisul Islam Asad, Mahfuz, Srabonti, Murad, Shanu, Sumi, Apu and Oli
are the cast members of drama serial. "To give a realistic flavour,
a few local Thai's performed in the serial," says Taher.
Taher adds, "The single-episode drama, Darojar Opashey by Anisul
Haque, a romantic story was made in just two days in Thailand. Popular
actors Srabonti and Mahfuz play the lead roles."
Source:
The Daily Star: January 8, 2006
Mini
screen
A new mega serial
Another mega
serial, Shawla, is to be aired from May 26, says a press release.
The serial is produced by Index Communications. Written by Ferdous
Hassan, the serial will be telecast on ntv. The artistes are Sirajul
Islam, Bulbul Ahmed, Daisy Ahmed, Raisul Islam Asad, Al Mamun,
Munira Yusuf Memi, Azizul Hakim, Tarin, Litu Anam, Richi Solaiman,
Shahed Sharif Khan, Sumaia Shimu, Jitu Ahsan, Farah Ruma and others.
The story of the serial revolves around the Communist ideals of
the young people of the country. Raj, one of the characters, reads
red books and stealthily carries weapons. He has another friend
named Deepu. Raj is well off whereas Deepu is very poor. Though
Raj's parents try to keep him away from politics, they fail to
sway him. Raj takes shelter with Deepu. He meets Lila there who
fulfills his dream of a better future. They have a daughter Bibha.
But Bibha meets Deepu after 20 years because of some familial
turbulence. This is how the story goes on.
Source the Daily Star of May 13, 2004
Shawla: Communism provides a backdrop
Dance
Drama Festival
Organizer: Bangladesh Shilpakala Academy
Time: May 12 to May 18, 2004 at 7.00 pm
Venue: First Floor of the Art Gallery Bhaban of the Academy,
Shegun Bagicha, Ramna, Dhaka 1000.
May
15: Shonai Madhobh
May 16: Nakshikanthar Math
May 17: Shurjomukhhi Nadi
May 18: Mahua
Film Show:
Organizer:
India Cultural Centre
House 25, Road 96, Gulshan 2, Dhaka
Time: Monday
& Thursday at 6.00 pm.
May 17: Sangam
May 20: Mr. & Mrs. Ayer
May 24: Namak Halal
May 27: Dil Chahata hai
May 31: Rangeela
For
Complementary tickets please contact
Mr. Rajib Bhattacharya (Tel: 8820243-7, 9888789-91)
Cinema Matritto faces censor's scissors
Just when most cinema-loving Bangalis have long given up their
fondness for Bangla films, young filmmaker Zahid Hossain has come
up with a film that has a different storyline and the potential
to attract audiences back to the theatres. Just when tens of films
containing crude obscenity are being shown in cinema halls across
the country with the concerned authority's least prevention, Bangladesh
Film Censor Board (BFCB) has halted the release of Zahid's film
Matritto on the ground of some 'imagined' obscenity.
Zahid Hossain, scriptwriter, director and producer of Matritto,
accompanied by Hassan Imman--one of the co-producers, and other
invited guests, held a press conference in this regard at the
VIP Lounge of the National Press Club recently. Speakers included
filmmaker Manzare Hassin, film critic Muztoba Zaman, one of the
cast members from Matritto Shahidul Alam Sachchu, popular singer
Selim Chowdhury and others. The speakers unanimously voiced a
protest against the decision of BFCB.
After Zahid submitted Matritto to BFCB for censor clearance, the
organization issued a letter declaring that the film can be shown
publicly only after three particular sequences are cut out. One
of the scenes presents actress Moushumi, who plays the protagonist
of the film, Sakhina, breast-feeding a child. The two other sequences
have dialogues, which, BFCB assumes have elements contrary to
the country's sovereignty.
Let us now look into the story of Matritto. As the name suggests,
the film is based on the theme of motherhood--a precious aspect
of any woman's life. The film centres round a rural mother named
Sakhina, who has to undergo tremendous physical and mental sufferings
before she can actually experience motherhood.
Sakhina is married to a village thief named Jabbar. She tries
hard to rectify her husband, played by Humayun Faridee, and bring
him back to a normal life. But Jabbar simply will not correct
himself. He even forces Sakhina to have her baby aborted. This
leads the poor mother into a painful mental disorder simultaneously
with immense physical suffering in her mammary glands.
At such a moment, Sakhina is seen to nurse a newborn child whose
mother has died and who is suffering almost to death. This gives
the child its life as well as gives Sakhina a taste of motherhood
she has long craved for.
Set in the mid-1960s when mass dissatisfaction was growing among
the Bangalis regarding the then West Pakistan regime, the film
also projects the socio-political scenario of the time.
One scene shows a youth hoisting the national flag of Pakistan
on top of a tree under the supervision of the Morol (head) of
the village. The opportunist village-head directs the youth to
tie the flag even higher so that it can be seen from as far as
the police station where some Pakistani officials are coming to
visit. Another scene has two characters conversing on the 'conspiracy'
of dividing Pakistan.
The Censor board has raised objections about these scenes.
Zahid Hossain argued regarding the two latter scenes that the
international award winning film of Sheikh Niyamat Ali and Masihuddin
Shaker, Shurjo Dighal Bari, also has a scene that shows hoisting
of Pakistani flag. Historically this is a part of the greater
reality that many people at that time tried to prove themselves
loyal to the existing regime--some did so in order to attract
favor, and some to save their lives. There is no escaping from
these truths. 'Censoring these two scenes would greatly hamper
the socio-political balance of the story', said Zahid.
Regarding the first objection, Zahid claims that the scene where
Moushumi is seen breast-feeding a child is 'an essential part
of the aesthetic beauty' of his film. It cannot be considered
'obscene' since 'the scene is a mid-long shot, not a close one',
argues Zahid. 'Moreover, the scene has been shot in the dark light
of lanterns rather than the bright floodlights in which all the
obscene sequences of commercial films are shot', he says. To cut
this part out will jeopardize the total appeal of the film which
is, as he describes, 'the result of my honest 25-year's involvement
with the film movement of the country.'
Zahid complains that the BFCB members are not honest enough regarding
their responsibilities. 'One of the members, who is a university
teacher, did not even show up at the technical screening of the
film despite my request', he informs. Moreover, BFCB sent the
objection-letter containing one wrongly quoted dialogue that it
ordered to be censored, which, Zahid claims, 'proves their inattentive
mind during the technical show of films.' BFCB, however, corrected
the mistake in its second letter.
Zahid has submitted his film to the Appeal Division of BFCB for
review and hopes that the board will release his film 'uncut'.
Source: The daily Star
Humayun Faridee:
A sensitive portrayal as a protagonist
German Heimat Films
Organizers: Zahir Raihan
Film Society & Goethe-Institut, Dhaka
May
23, 2004 to 27 May 2004
Venue: Goethe-Institut, House 10 Road 9, Dhanmondi, Dhaka