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DRAMA & CINEMA

3 International Film Festival Bangladesh
Cinema for everyone

Amidst much anticipation, 3rd International Film Festival Bangladesh began yesterday. Prime Minister Begum Khaleda Zia inaugurated the 16-day-long festival at the National Theatre Stage, Shilpakala Academy.

This year about 111 films from 60 countries will be screened. Over 50 filmmakers, activists and other dignitaries are participating in the festival organised by Bangladesh Federation of Film Societies this year.

Besides screening films in different categories such as 'International Contest', 'International Showcase', 'Focus of the Festival', 'Retrospective', 'Celebrating 50 Years of Bangladeshi Cinema', 'Tribute', 'Bangla Showcase' and others seminars on different aspects of cinema will be held during the festival.

On March 6, a seminar titled "Bangladeshi Films: Aesthetic Achievements in 50 Years" will be held at the Sufia Kamal Auditorium, National Museum. Noted film exponent Anupam Hayat will read the keynote paper at the seminar. On March 8 and 9, two seminars titled "Reviewing Films from the Perspective of globalisation" and "International Market of Asian Films" respectively will be held at the same venue.
Films that have generated interest among movie enthusiasts worldwide for a number of reasons -- becoming cash cows, igniting political debate or featuring controversial issues, zooming in on major global events, showcasing superior aesthetic skills and more -- are the attractions at the festival.

'Celebrating 50 Years of Bangladeshi Cinema' will begin with a screening of Shutorang by Subhash Dutta. The film launched Kabori as a film actress in 1964. Other films to be screened in the section are Titash Ekti Nodir Naam, Jibon Thekey Neowa, Shurjodighal Bari, Dhirey Bohey Meghna and others. Hotel Rwanda, a riveting film based on a true story, taking place during the Rwandan genocide in 1994 will be screened in the 'International Showcase' category.

The movie that won the most number of Filmfare Awards this year, Black, will be screened in the 'Bollywood Meets Dhallywood' section. Bangladeshi films Bideshini, Hajaar Bochhor Dhorey, Matritwa, Nandito Norok-e and movies from West Bengal Amu, Faltu, Kantataar and Tok Jhaal Mishti will be screened in the 'Bangla Showcase' section.
The Films will be screened at venues in Dhaka, Savar and Narayanganj including Central Public Library Auditorium, National Museum Auditorium, Shishu Academy Auditorium, Star Cineplex, Balaka, Madhumita, Rajmoni and other movie theatres. The festival will be inaugurated at Chittagong on March 10.

The festival is being jointly organised by Bangladesh Motion Picture Exhibitors Association, Bangladesh Film Producers Distributors Association, Bangladesh Film Directors Association, Bangladesh Cinematographers Society and Bangladesh Film Artistes Association. International Federation of Film Societies is also an associate organiser.
Source: The daily Star: march 2, 2006

Celebrating 50 years of Bangladeshi films
Nine-day long film screening begins
To celebrate 50 years of Bangladeshi filmdom, Dhaka University Chalachitra Sangsad has organized a film screening session starting from yesterday.

All time hit Bangla films of the last 50 years are to be screened at the nine- day long celebration. Each day four movies will be screened at the TSC Auditorium.

The movies scheduled to be screened are: Shurja Dighal Bari, Duratta, Kittankhola, Jibon Theke Neya, Kancher Deyal, Ek Khanda Jomi, Megher Pore Megh, Matir Moina, Chitra Nadir Pare, Neel Akasher Nichey, Pitch Dhala Path, Hathat Brishti, Nayaner Alo, Srabon Megher Din, Shujan Shokhi, Shareng Bou, Dharapat, Rupban, Tero Nong Feku Ostagar Lane, Shankhanad, Ekatturer Jishu, Megher Onek Rang, Joy Jatra, Dahan, Emiler Goenda Bahini, Ashikkhito, Chhutir Ghanta, Golapi Ekhon Train-e, Beder Meye Jotsna, Moner Majhe Tumi, Shyamal Chhaya, Simana Periye, Alor Michhil and Aguner Parashmoni.

Source: The Daily Star: February 12, 2006

Taher Shipon’s TV play to be aired this Eid

Thailand is a popular destination for TV plays. Popular TV play director Taher Shipon has recently made a drama serial and a single-episode play in Bangkok. The former, playwright Anisa Taher's work, Anubhabe is a 26-episode drama serial. The latter, Darojar Opashey is scripted by Anisul Haque.

BTV will air Anubhabe from February while single episode play Darojar Opashey will be aired on BTV to dovetail with Eid.

About the drama serial, Taher Shipon comments, "Anisa Taher in her drama serial, Anubhabe, has featured the lifestyle of the Bangalees living in Thailand. That is why we had to shoot the play in Thailand."

"Depicting the conflict between two hotel-businessmen in Thailand, Anubhabe shows the potential and problems of the Bangalees involved with tourism in Bangkok", adds Taher.

Raisul Islam Asad, Mahfuz, Srabonti, Murad, Shanu, Sumi, Apu and Oli are the cast members of drama serial. "To give a realistic flavour, a few local Thai's performed in the serial," says Taher.

Taher adds, "The single-episode drama, Darojar Opashey by Anisul Haque, a romantic story was made in just two days in Thailand. Popular actors Srabonti and Mahfuz play the lead roles."

Source: The Daily Star: January 8, 2006

Mini screen
A new mega serial
 

Another mega serial, Shawla, is to be aired from May 26, says a press release. The serial is produced by Index Communications. Written by Ferdous Hassan, the serial will be telecast on ntv. The artistes are Sirajul Islam, Bulbul Ahmed, Daisy Ahmed, Raisul Islam Asad, Al Mamun, Munira Yusuf Memi, Azizul Hakim, Tarin, Litu Anam, Richi Solaiman, Shahed Sharif Khan, Sumaia Shimu, Jitu Ahsan, Farah Ruma and others.
The story of the serial revolves around the Communist ideals of the young people of the country. Raj, one of the characters, reads red books and stealthily carries weapons. He has another friend named Deepu. Raj is well off whereas Deepu is very poor. Though Raj's parents try to keep him away from politics, they fail to sway him. Raj takes shelter with Deepu. He meets Lila there who fulfills his dream of a better future. They have a daughter Bibha. But Bibha meets Deepu after 20 years because of some familial turbulence. This is how the story goes on.

Source the Daily Star of May 13, 2004


Shawla: Communism provides a backdrop

Dance Drama Festival

Organizer: Bangladesh Shilpakala Academy
Time: May 12 to May 18, 2004 at 7.00 pm
Venue: First Floor of the Art Gallery Bhaban of the Academy,
Shegun Bagicha, Ramna, Dhaka 1000.
 

May 15: Shonai Madhobh
May 16: Nakshikanthar Math
May 17: Shurjomukhhi Nadi
May 18: Mahua


Film Show:

Organizer: India Cultural Centre
House 25, Road 96, Gulshan 2, Dhaka

Time: Monday & Thursday at 6.00 pm.

May 17: Sangam
May 20: Mr. & Mrs. Ayer
May 24: Namak Halal
May 27: Dil Chahata hai
May 31: Rangeela

For Complementary tickets please contact
Mr. Rajib Bhattacharya (Tel: 8820243-7, 9888789-91)

 

Cinema
Matritto faces censor's scissors

Just when most cinema-loving Bangalis have long given up their fondness for Bangla films, young filmmaker Zahid Hossain has come up with a film that has a different storyline and the potential to attract audiences back to the theatres. Just when tens of films containing crude obscenity are being shown in cinema halls across the country with the concerned authority's least prevention, Bangladesh Film Censor Board (BFCB) has halted the release of Zahid's film Matritto on the ground of some 'imagined' obscenity.
Zahid Hossain, scriptwriter, director and producer of Matritto, accompanied by Hassan Imman--one of the co-producers, and other invited guests, held a press conference in this regard at the VIP Lounge of the National Press Club recently. Speakers included filmmaker Manzare Hassin, film critic Muztoba Zaman, one of the cast members from Matritto Shahidul Alam Sachchu, popular singer Selim Chowdhury and others. The speakers unanimously voiced a protest against the decision of BFCB.
After Zahid submitted Matritto to BFCB for censor clearance, the organization issued a letter declaring that the film can be shown publicly only after three particular sequences are cut out. One of the scenes presents actress Moushumi, who plays the protagonist of the film, Sakhina, breast-feeding a child. The two other sequences have dialogues, which, BFCB assumes have elements contrary to the country's sovereignty.
Let us now look into the story of Matritto. As the name suggests, the film is based on the theme of motherhood--a precious aspect of any woman's life. The film centres round a rural mother named Sakhina, who has to undergo tremendous physical and mental sufferings before she can actually experience motherhood.
Sakhina is married to a village thief named Jabbar. She tries hard to rectify her husband, played by Humayun Faridee, and bring him back to a normal life. But Jabbar simply will not correct himself. He even forces Sakhina to have her baby aborted. This leads the poor mother into a painful mental disorder simultaneously with immense physical suffering in her mammary glands.
At such a moment, Sakhina is seen to nurse a newborn child whose mother has died and who is suffering almost to death. This gives the child its life as well as gives Sakhina a taste of motherhood she has long craved for.
Set in the mid-1960s when mass dissatisfaction was growing among the Bangalis regarding the then West Pakistan regime, the film also projects the socio-political scenario of the time.
One scene shows a youth hoisting the national flag of Pakistan on top of a tree under the supervision of the Morol (head) of the village. The opportunist village-head directs the youth to tie the flag even higher so that it can be seen from as far as the police station where some Pakistani officials are coming to visit. Another scene has two characters conversing on the 'conspiracy' of dividing Pakistan.
The Censor board has raised objections about these scenes.
Zahid Hossain argued regarding the two latter scenes that the international award winning film of Sheikh Niyamat Ali and Masihuddin Shaker, Shurjo Dighal Bari, also has a scene that shows hoisting of Pakistani flag. Historically this is a part of the greater reality that many people at that time tried to prove themselves loyal to the existing regime--some did so in order to attract favor, and some to save their lives. There is no escaping from these truths. 'Censoring these two scenes would greatly hamper the socio-political balance of the story', said Zahid.
Regarding the first objection, Zahid claims that the scene where Moushumi is seen breast-feeding a child is 'an essential part of the aesthetic beauty' of his film. It cannot be considered 'obscene' since 'the scene is a mid-long shot, not a close one', argues Zahid. 'Moreover, the scene has been shot in the dark light of lanterns rather than the bright floodlights in which all the obscene sequences of commercial films are shot', he says. To cut this part out will jeopardize the total appeal of the film which is, as he describes, 'the result of my honest 25-year's involvement with the film movement of the country.'
Zahid complains that the BFCB members are not honest enough regarding their responsibilities. 'One of the members, who is a university teacher, did not even show up at the technical screening of the film despite my request', he informs. Moreover, BFCB sent the objection-letter containing one wrongly quoted dialogue that it ordered to be censored, which, Zahid claims, 'proves their inattentive mind during the technical show of films.' BFCB, however, corrected the mistake in its second letter.
Zahid has submitted his film to the Appeal Division of BFCB for review and hopes that the board will release his film 'uncut'.

Source: The daily Star


Humayun Faridee:
A sensitive portrayal as a protagonist

German Heimat Films

Organizers: Zahir Raihan Film Society & Goethe-Institut, Dhaka

May 23, 2004 to 27 May 2004
Venue: Goethe-Institut, House 10 Road 9, Dhanmondi, Dhaka

Program:

May 24, 2004: (5pm) The Forester of Silberwaid
  (7pm) The Farmer’s Perjury
May 25: (5pm) The Fisher Girl of Lake Constance
  (7pm) High up on the Mountain
May 26: (5pm) The Girl of the Moors
  (7pm) The Lady Country Doctor
May 27: (5pm): The Fisher Girl of Lake Constance
  (7pm): Black Forest Girl
 

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